INTRODUCING A NEW LINE OF AMPLIFIERS

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Beautiful as Music

Handcrafted in America to provide musical satisfaction for a lifetime.

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The Man and the Brand

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Truely Superior Sound –
The sound through the Doshi Audio V3.0 products was warm and inviting as in, “I must hear more”

Jason Serinus. Stereophile - AXPONA 2014

Best of Show  |  Best Sound
A system wins here, one of Paragon Sight and Sound’s rooms featuring Wilson Audio Sasha 2s, Doshi Audio electronics, dCS Rossini DAC and Master Clock, Brinkmann Balance turntable and ’arm, My Sonic Labs Signature Platinum cartridge, and Transparent Reference cables. An oasis of musical calm anytime I stuck my head in the door.

Absolute Sound

Cardas Audio Excels with Joseph and Doshi

But I would be remiss to not include the new Hybrid Stereo amp ($19,995) from Doshi Audio that were powering everything.  A gorgeous piece of amplifier, there are eight EL34 tubes with a mirror-like chrome cover of transformers behind reflecting the glass.  Joining in the fun were Doshi’s line stage ($17,995) and tape pre ($17,995).

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Part-Time Audiophile

RMAF 2018: Joseph Audio, Doshi Audio, Cardas and the Rest of Your Life

This was one of Jeff’s best-sounding set-ups I’ve heard—and I’ve heard quite a few—which led me to believe that the Doshi Audio amplification, as well as the Cardas Clear Beyond cabling, were providing uncommon synergy in the room.

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Part-Time Audiophile

Doshi Audio Monoblock V3.0 power amplifier

The remarkably air-filled, three-dimensional, gratifyingly warm sound of Doshi Audio’s Monoblock V3.0 amplifiers demands a place on the short list of amplifier seekers who listen to music for hours on end.
  –  Jason Victor Serinus

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Stereophile

Command Performance AV: Doshi Audio electronics

The system’s sound was very clean and transparent and easily showed the vast differences between either the 15-ips tapes or LPs that were played.

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Audionivana

Capital Audiofest: Hitting the Ground Running

The system played it with a tremendous sense of ease, the music simply existing between the speakers without apparent effort. Chris Thile’s voice had well-defined, full-bodied presence in the room, and the limber, graceful phrases played by banjoist Noam Pikelny were breathtaking in their realism.

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Stereophile

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